Surajkund Mela: History, Significance, and its Role in India-Myanmar Cultural Relations

 

I NDIA has been a land of rich cultural heritage, art, and craftsmanship for centuries. Its folk traditions, music, dance, and handicrafts are not just expressions of creativity but also reflections of its deep-rooted history. In the modern era, it is crucial to preserve these traditions while also promoting international cultural cooperation.

With this vision, the Haryana government established the Surajkund International Handicrafts Mela in 1987. Over the years, this fair has grown into a global platform where artisans, craftsmen, and performers from different countries come together to celebrate their heritage.

The Surajkund Mela is held annually in Faridabad, Haryana, during the first two weeks of February. This year it is being held on 7-23 February 2025. A 20-member delegation from Myanmar is actively participating in the fair this year, with 15 artists and 5 craftsmen. The Mela authorities are hosting the 20-member Myanmar troupe. These artists are presenting traditional dance and music performances, while the craftsmen are showcasing Myanmar’s handicrafts at dedicated stalls, which have been receiving tremendous appreciation from visitors.

This article explores the history and significance of Surajkund Mela, its impact on India-Myanmar cultural relations, and its growing relevance in BIMSTEC (Bay of Bengal Initiative for Multi-Sectoral Technical and Economic Cooperation), particularly for Myanmar.

Surajkund Mela: A Historical Perspective Establishment and History

The Surajkund Mela serves as a major attraction for artisans and performers from India and over 30 other countries. The name “Surajkund” comes from a 10th-century reservoir built by Raja Surajpal of the Tomar dynasty. This region has a historical connection to solar worship and water conservation. Recognizing its significance, the Haryana government transformed it into a venue that celebrates the cultural heritage of India and the world. The first Surajkund Mela was organized in 1987 by the Surajkund Mela Authority and Haryana Tourism, with the aim of preserving and promoting traditional Indian arts, crafts, and folk culture. Initially, the event featured Indian artisans, but in 2013, it attained international status, allowing participation from Southeast Asian, African, and European nations. Today, Surajkund Mela is one of the largest cultural fairs in the world, contributing significantly to India’s tourism, trade, and diplomatic outreach.

Key Features of Surajkund Mela A Dedicated Theme State and International Partner Country

Each year, one Indian state is designated as the “Theme State,” which receives special focus in terms of cultural exhibits, crafts, and cuisine. Additionally, a “Partner Country” is chosen to promote international collaboration.

International Participation

Countries from South Asia, Southeast Asia, Africa, and Europe actively participate, presenting their unique art, crafts, and performances. This has strengthened India’s cultural diplomacy, especially with BIMSTEC nations like Myanmar.

Folk Performances and Live Cultural Shows

The fair hosts folk dances, music, puppet shows, theatrical plays, and live performances, showcasing both Indian and global traditions.

Artisan Stalls and Craftsmanship Exhibits

Thousands of artisans display handcrafted items such as: Pashmina shawls from Kashmir Madhubani paintings from Bihar Pattachitra from Odisha Stonecraft from Myanmar Bamboo crafts from Northeast India and Myanmar.

Economic and Tourism Boost

The fair attracts thousands of domestic and international tourists, contributing significantly to India’s handloom, handicraft, and rural economy.

India-Myanmar Cultural Relations at Surajkund Mela

India and Myanmar share ancient cultural and civilizational ties. Buddhism, trade, and folk traditions have linked both nations for centuries. The Surajkund Mela serves as a cultural bridge, strengthening these connections through artistic exchange.

This year, Myanmar has sent a 20-member delegation, comprising 15 performing artists and 5 craftsmen.

1.Dance and Music Performances

Myanmar’s artists are captivating audiences with performances such as:

Pankhin Dance - A traditional Burmese classical dance.

Saing Waing Ensemble - A unique Burmese musical performance featuring traditional instruments.

Burmese Puppet Theater - A storytelling tradition with intricate wooden puppets.

2.Handicraft Stalls

Myanmar’s craftsmen are showcasing:

Lacquerware (Lahkari) - Exquisite wooden and bamboo artefacts with intricate detailing.

Silk Textiles - Handwoven fabrics with traditional Burmese patterns.

Wood Carvings - Depicting Buddhist and cultural motifs.

Bamboo and Rattan Crafts - Eco-friendly handmade products, highly sought after in Indian markets.

The response to Myanmar’s participation has been overwhelmingly positive, reflecting a growing appreciation for Southeast Asian craftsmanship in India.

BIMSTEC and Its Contribution to India-Myanmar Cultural Exchange:

The Bay of Bengal Initiative for Multi-Sectoral Technical and Economic Cooperation (BIMSTEC) is a regional organization that promotes connectivity, trade, and cultural exchange among its seven member countries.

As a key member of BIMSTEC, Myanmar plays a vital role in regional cultural initiatives. Surajkund Mela provides a valuable platform for BIMSTEC nations to showcase their art, music, and handicrafts, strengthening people-to-people connections.

BIMSTEC’s contributions to India-Myanmar cultural ties include:

Cultural Exchange Programmes - BIMSTEC promotes folk arts, music, and heritage festivals, encouraging collaboration among member nations.

Handicraft Promotion – Myanmar’s artisans benefit from exposure to Indian markets, leading to increased demand for traditional Burmese crafts.

Tourism and Connectivity - Through BIMSTEC, India and Myanmar have expanded cultural tourism and trade linkages, facilitating greater participation in fairs like Surajkund Mela.

Buddhist Heritage Collaboration - Both countries share a deep Buddhist heritage, leading to cultural initiatives such as Buddhist circuit tours, exhibitions, and research collaborations.

Surajkund Mela as a BIMSTEC Platform:

Surajkund Mela has become a hub for BIMSTEC cultural diplomacy, allowing nations like Myanmar to promote indigenous art forms internationally, enhance tourism and trade partnerships with India and Strengthen regional cooperation through cultural heritage.

The Surajkund Mela is not just a fair but a powerful cultural confluence, bringing together artists, craftsmen, and audiences from around the world. For India and Myanmar, the fair fosters economic, artistic, and cultural collaboration, while for BIMSTEC nations, it serves as a regional platform for heritage preservation and people-to-people engagement.

Myanmar’s active participation in the 2025 Surajkund Mela is a testament to the growing India-Myanmar friendship, emphasizing the importance of cultural diplomacy in strengthening international relations. Ultimately, Surajkund Mela continues to play a pivotal role in connecting cultures, preserving traditions, and promoting international harmony through the universal language of art and heritage.

Contributed by the Embassy of India to Myanmar

#TheGlobalNewLightOfMyanmar